Sunday, October 30, 2011


As regular readers will know, one of my great pleasures is seeing memorable pictures in the New York Times, and this week brought some excellent ones. Above - and gracing the front page of Thursday's Arts section was this photograph by Nan Goldin (left) paired with an 1855 painting by Ary Scheffer from Goldin's new show at Matthew Marks - the result of Goldin being given free rein to browse The Louvre on the days it was closed to the public. The show is up in New York for two months. Don't miss.

Next up, from today's Sports section, this joyful victory celebration in the women's 4 x 100 meter relay captured by Mark Ralston. It's so balletic it could be a dance photograph!

On a more serious note, Magnum newcomer Mark Zachmann photographed a boat carrying 158 Libyan refugees shortly before it was stopped by the Italian coastguard. (Italy has the closest European shore to Libya.) It has the gravitas and compositional power of a great history painting.

And lastly, this week's New York Times Magazine picks up on this very blog - highlighting the Kenneth O Halloran Irish Horse Festival photographs I ran last February. Just to let you know the appreciation runs both ways!

1 comment:

Joe Holmes said...

I really love how Goldin has reinvented herself. Good interview with her here: