Tokyo Snaps

Looking at Andy Warhol polaroids.

It should be pretty clear that I'm crazy about Tokyo. Unfortunately this last trip was nearly all work, but here a few snaps of some of the things and people who caught my eye.

Burberry baby.

Louise Bourgeois sculpture at the Mori plaza.

Yoshioka Tokujin installation at the Mori Museum. The artist uses technology to recreate natural phenomena such as the snowstorm pictured here.

Murakami dolls in the museum shop.

Mika Ninagawa books and merchandise.

The pool and whirlpool at the Grand Hyatt.

My last breakfast at the hotel.

Meet Lloyd Ziff

In what is fast becoming a "Meet the Legendary Art Directors" series, tonight we are having a book signing for Lloyd Ziff. The former art director of magazines including Vanity Fair, House & Garden, and Travel & Leisure, Ziff has always been a keen snapper and his new book "Near North" presents a collection of photographs shot in Alaska and the Yukon. Not surprisingly, Ziff brings his graphic sense to the remote and vast wilderness, along with a strong sense of the strangeness and uniqueness of the place.

The book signing is from 6 to 8 p.m..

A Few Pictures That Caught My Eye

Like any art fair, Tokyo Photo has a real mix. Many of the big international names are being shown - Eggleston, Friedlander,
Cartier-Bresson, Chris Bucklow - but what interests me are things that seem uniquely Japanese in an original way. And you have to hunt for those. Nevertheless, here are a few things that caught my eye. Above "Form #1" by Miwa Nishimura. Click on the image to see the wigs that have been digitally added to each seagull.

Below: From Sohei Nishino's ongoing series of dioramas done in cities all over the world. It's a painstaking process where he spends weeks photographing the city from many hundreds of different vantage points. Then back in the studio he begins to assemble the individual frames from the contact strips into a collage that takes several months to create. The collage is then photographed and editioned into three sizes.

London Diorama by Sohei Nishino.

Detail from the above diorama.

Two prints from Haruko Nakamura's 19 print series "The Gift from the Sea".

What's selling is sex. Misato Kuroda's series "Sawako".

And last but not least - an early Chicago picture by the master photographer Yasuhiro Ishimoto.

How Cool Is This?

Yesterday, my new friend Mr. Masanori Hashimoto was kind enough to give me the latest version of the Ricoh GR Digital camera. It's a camera with a cult following based on it's lightness, speed, and quality. I've just started to try it out and it seems great, but the coolest thing of all (to me) is a function called "Skew Correct Mode". Turn it on to this mode, take a picture, and the camera looks for an object with four corners which it will then correct the perspective on. If you don't like the four corners it has selected press an arrow and it goes to the next option of a four cornered object. Select "O.K." and the camera instantaneously processes the image to crop and straighten the perspective. For a blogger like me this is heaven!

Here's an example, below. This photograph is on the wall of my hotel room. In "skew" mode it can pick out the whole triptych or just one part. I selected just the middle. Hit the button - and voila! I'm now saying the GR stands for "Gallery Robot". Very Japanese.

The straight shot.

What the camera did to the above shot in "skew" mode!

My new best friend, Masanori Hashimoto of Ricoh.

Tokyo Lecture - The Rules

As a preface to my talk at Tokyo Photo (see below) I articulated four rules that I thought were essential for any young photographer trying to survive.

Here are the rules:

1. Have talent. (Talent is not when your friends tell you they love your work, but when people who don't like you have to admit it's good.)

2. Understand how the world works. (Not just globally, but on a macro level. Understand what people need and don't need. Understand when to approach people and when not to. Develop social skills.)

3. Choose good friends. (There's nothing like an effective network.)

4. Be modern. (Don't do anything that looks like it's someone else's work. Stay on top of technology. Engage on multiple platforms.)

Tokyo Photo - The List

I have been asked by the organizers of Tokyo Photo to engage in a discussion with the famous editor and art director Masanobu Sugatsuke on the subject "How to survive as a photographer on 2010s".

As part of this, I made up a list of 10 different photographers whose careers I felt offered some guidance. Each are relatively new (or at least particularly modern and original) to the photo scene and each have developed incredibly successful careers. So for easy reference, I wanted to post a list on the blog so people could easily reference the names.

In no particular order they are:

Ryan McGinley

The Sartorialist

Massimo Vitali

Juergen Teller

Alec Soth

Richard Learoyd

Idris Khan

Tim Walker

Sze Tsung Leong

Susan Derges

Tokyo Photo 2010

On my way to Tokyo to participate in the second Tokyo Photo fair where I'm sure there will be much to blog about. In the meantime, this is my favorite of the pictures I took on my visit last year. Just some unknown hipster at a little nightclub mesmerized by the light show and his own shadow. Love the purple!

Tomorrow's the Night!

I'm back!

And tomorrow (Friday) we open our show of Christopher Bucklow's photographs. 6 to 8 p.m. for those who would like to attend the opening.

Bucklow's work is one of the pillars of the British "cameraless" photography movement which you'll be hearing a lot about this fall. It's at once luminous, spiritual, scientific, and metaphysical. And did I say gorgeous?

Bucklow's other-worldly photographs of radiant men and women set against grounds of color are made through a multi-step process that is both complex and laborious. Bucklow begins by projecting the shadow of his sitter on a large sheet of aluminum foil and tracing its outline. He then makes about twenty thousand small pinholes in the foil silhouette (one for each day of the average human lifespan). Using a contraption of his own device that places the foil over a large sheet of photographic paper, Bucklow wheels his homemade "camera" out into daylight and pulls the "shutter" to briefly expose the paper to direct sunlight. Thus each finished picture becomes a kind of photogram silhouette composed of thousands of pinhole photographs of the sun. The intensity of light on a given day and the length of exposure create unique color variations on how the resulting piece appears.

Following the artist's particular ground rules, and connecting Bucklow to the mystical tradition of British artists, in particular to the work of William Blake, Bucklow does not picture anyone he has not dreamed of. In this way, the works connect more deeply to both the artist's unconscious and the unknown. Part quantum physics (in particular the light bending phenomenon of the double slit experiment) and part zen philosophy, the thousands of suns not only shine out from the paper but are a window into the soul or anima of both subject and artist, and an appreciation of the individuality and preciousness of each day.

Bucklow's explorations into avoiding the negative are both literal and figurative, connecting light and art, with the Other. We may not readily associate photography and the mystical or spiritual, but Bucklow's work asks us to start by appreciating the surface and then to dig down into all the layers that lie underneath. It's a journey worth taking.

Christopher Bucklow's show mid-installation.

Celebrating the Chainsaw

Sugimoto by Brown

One more show to point out before I take a real summer break. It’s a show I saw in Los Angeles a few weeks ago and was incredibly impressed with. And it’s up until the end of the month.

Showing at the Robert Berman gallery in Santa Monica, it’s the work of Hugh Brown – an artist, and as you’ll see an obsessive chainsaw collector and aficionado. The show is comprised entirely of Brown’s appropriation of famous artworks into which Brown has inserted a variety of chainsaw references from the obvious to the subtle.

So we have Brown’s version of photographs by such heavy hitters as Diane Arbus, Harold Edgerton, Walker Evans, and Robert Mapplethorpe and painters like Matisse, Ed Ruscha, Jackson Pollack and dozens more. The works are so convincing that many mistook them for authentic pieces when shown last year at the California State University Fullerton Grand Central Art Center.

While the images stand on their own, there is humor and wit and intelligence behind every image. Take Brown’s Hiroshi Sugimoto piece entitled “Vista Theater (Texas Chainsaw Massacre 2)”. For this image Brown rented out the theatre and used a large format camera and an extremely long exposure to capture the entire film, just as Sugimoto did in his photographs of old American movie palaces and drive-ins.

A photographer, printmaker and assemblage artist for over 35 years, Brown has exhibited widely on the west coast, but claims his standout achievement was his prize in the “Design a Chair for Barbie” competition – not because of the second place finish but because the entry caused a fist fight amongst the judges!



Ruscha by Brown

Hockney by Brown

Arbus by Brown

Edgerton by Brown

More Video

As you may have noticed, I'm on something of a summer hiatus, but I'll try to post a few things from my summer break. In the meantime, this Canadian ad takes full advantage of high-def slow-motion.

Weekend Video

Sent to me by Jim Krantz, the highly talented photographer who is one of the original Marlboro photographers (and much of whose work was borrowed by Richard Prince). This ad promoting the launch of the Polaroid SX-70 reminds us of one of those magical moments when it seemed like the future had arrived and it was all good. What's particularly surprising is the degree to which the history and art of photography is referenced. And while photography is much more appreciated, studied, and written about today - it's highly unlikely that a digital camera would be promoted in this way.

Addendum

An anonymous but knowledgeable tipster points out that in lighter prints of the Bill Dane image, Garry Winogrand can be seen in the background.

This can be verified by looking at the clearly recognizable figure on the right in the variant image below.

Bill Dane

Also seen at the "Exposed" exhibition at the Tate Modern, this late 70s/early 80s picture by Bill Dane seems every bit as good as the picture it reminds me of, "Satiric Dancer" by Andre Kertesz.

Satiric Dancer by Andre Kertesz. 1927.

Exposed

What museum exhibition would you find the above picture of Paris Hilton on her way to jail in? 10 points if you guessed "Exposed" - a show originated by SF MoMA and now at the Tate Modern in London.

The exhibition offers a fascinating and original look at pictures made without the explicit permission of the people depicted. With photographs from the late nineteenth century to present day, the show tackles its voyeuristic theme in a way that's at once serious and pleasurable.

Beginning with the idea of the 'unseen photographer', "Exposed" presents 250 works by celebrated artists and photographers including Brassaï's erotic Secret Paris of the 1930s images; Weegee's iconic photograph of Marilyn Monroe on the set of "Some Like It Hot"; and both Nick Ut's Paris Hilton picture and his more famous image of children escaping napalm attacks in the Vietnam War.

At a time where organized surveillance is dramatically increasing and reality (or faux-reality) t.v. is the mainstay of cable, the issues raised by "Exposed" are timely and provocative. So drop by if you're in London. If not, there's an excellent catalog readily available.

The Contessa Castiglione by Pierson.

Liz Taylor and Richard Burton caught by a paparazzi.

Helmut Newton's famous image of Lisa Taylor, considered to be the first image where the female gaze was allowed to appear as predatory as a man's.

Two London Shows

Mick Jagger by David Bailey

On a flying visit to England I stopped in to Hamilton's Gallery to see the show of David Bailey's enlarged contact sheets. They're very large, effective, a trip down memory lane, and a reminder of his place as the English Avedon. Here are a few of my favorites:

Jean Shrimpton

John Lennon and Paul McCartney

The Rolling Stones

Catherine Deneuve

Next door to Hamilton's the Timothy Taylor Gallery had an original Diane Arbus show tucked away in the back - a selection of her most summery pictures. I guess it's not surprising that a photographer who roamed the streets would do well in the summer but Arbus is in some ways so dark one wouldn't always put the two together. Anyway, a selection of known and unknown:

Weekend Video

Another weekend video courtesy of my contributing editor, Josie Danziger. In case you don't recognize the song it's Jason Mraz's "I'm Yours". But in addition to this highly original interpretation, have you noticed how good the video quality is on YouTube these days?

More on Jason to come as he's not only a great singer and songwriter but also a photographer. FYI - here's the original song below.

A Vampire Chronicle

An interesting story by Lyndsey Parker from Yahoo's music blog:

While debate regarding unauthorized use of Facebook pics rages on, a photograph from the pre-digital age has gotten one indie group in some serious trouble. Former fashion model Ann Kirsten Kennis is suing buzz band Vampire Weekend for a cool $2 million, claiming a 1983 photo of her was used in their Contra album cover art without her consent.

Kennis, who currently resides in Fairfield, Connecticut, with her family, was reportedly very surprised to see her doe-in-headlights likeness in a preppy Polo shirt on the Contra cover, when her daughter showed her the disc earlier this year. "Her daughter came home one day and said, "Hi, Mom, see your picture?'" Kennis's lawyer, Alan Neigher, told Entertainment Weekly. Neigher also told EW that the photo was never intended for professional use. "It was taken by her family. It was a Polaroid, not a modeling picture," he insisted. "Her mother was a chronic Polaroid snapshot-taker, and used to sell whole archives of photographs to these shops, five bucks a hundred or whatever. Her mother may have given away to a charity bazaar a whole ream of photographs. We just really don't know...[Kennis] has no idea how that photograph got into the photographer's hands."

The photographer in question is Tod Brody, who along with Vampire Weekend's record label, XL Recordings, is also named in Kennis's $2 million misappropriation-of-identity lawsuit. See, Kennis claims Brody duped Vampire Weekend into believing he was the photographer who had shot the Polo pic, and that he forged her signature (as "Kirsten Johnson" in one spot and "Kirsten Johnsen" in another, Neigher says) on the photo's release form. Brody of course has denied this, telling EW: "Ms. Kennis's claim that I didn't take the photo is blatantly false. I took the photo in 1983. The photo was in my possession the entire time, for 26 years, until it was delivered to Vampire Weekend." (Incidentally, the photograph seems to have been removed from Brody's website, www.todbrodyphoto.com, although it was once included in the Portraits section under the file name "Kirsten.")

The band, who reportedly paid $5,000 to use the picture, have also issued their own formal statement: "As is standard practice, Vampire Weekend and XL Recordings licensed the rights to use the photo on the cover of Contra pursuant to a license agreement that contains representations and warranties authorizing this use of the photo. Now that a lawsuit has been filed, we look forward to having the matter resolved in court."

So there are several questions here. First, who took the photo--Kennis's mother or Tod Brody? And if it was the mom, then did Brody really forge Kennis's signature and claim he was the real photographer? And if so, how did he think he'd get away with such a scam, since it was inevitable that Kennis would eventually see the cover? (After all, the album did debut at number one on the Billboard album chart in January 2010, so it was hardly obscure.) Conversely, if it was Brody who took the pic, is it possible that Kennis failed to read the fine print and didn't realize she was signing away rights to the picture 27 years ago?

And finally, did Vampire Weekend have any responsibility--as Kennis alleges--to make sure the photo release form's signature was legit? It's unclear just how much the band knew about their cover model before this lawsuit; when asked about the girl in interviews at the time of Contra's release, they gave deliberately vague answers. Lead singer Ezra Koenig told MTV News: "We know where the image came from, but we're not being very specific about her. We don't know her or anything....there's just something infinitely fascinating about a nice portrait of somebody, especially when she's got this ambiguous look, and people can read a lot into it....It makes you realize how much you can imagine about somebody when you know nothing about them, based on only a few signifiers."

The mystery surrounding the enigmatic golden girl on the Contra cover continues, although not in the way Koenig may have imagined. Kennis retired from modeling years ago; additional photos of her, from either the past or present, professional or candid, are seemingly non-existent on the Web (even the profile pic on what appears to be her private Facebook page is a photo of a dog); and she's refused to speak to the press thus far (she did come to the phone when the Village Voice rang her recently, and was reportedly polite, but declined to be interviewed). Perhaps when the reclusive ex-model finally appears in court, we'll all find out the real story behind this now-infamous photograph.

Weekend Video

This high testosterone video is a promo for Versus TV, a cable sports channel in the U.S and Canada (where it's known as OLN - the Outdoor Life Network).

It's so retro and un-artsy that it's artful (if you follow me), And an interesting motivational speech for me as I'm doing the Montauk Triathlon this weekend. Another slightly less aggressive but also effective Versus video below.

Noted With Pleasure

Elliott Erwitt. Sicily 1965.

The Chelsea Market on West 15th Street is a block long pass through of mouth watering food shops developed within the site of the former Nabisco Factory. Over the last few years, they have been putting up free photo shows of a mixed quality, but up right now is their best show to date - a selection of Elliott Erwitt photographs shot in Italy over the last 50 years. I was particularly taken by this stylish picture taken in Sicily in 1965. I'm not sure who the gentleman is but it is definitely Sartorialissimo!

Elsewhere around town, the theme seems to be women in danger. Above from Aperture's "States of Flux" show - Jun Ahn creates a striking performance piece confronting the encroaching urban environment of Seoul.

Meanwhile on a chance visit to my neighboring gallery Fredericks & Freiser my eye caught this catalog by the front desk with this startling image by Josephine Meckseper. Meckseper is a U.S. based German contemporary multi-media artist so you can be sure this image is a comment on American culture. (Feel free to offer your own interpretation.)

This month's British VOGUE offers up these striking photographs by Josh Olins. The "Contributor's Notes" explained that the pictures were inspired by the British painter Euan Uglow - certainly not a household name but as you'll see below, it's actually an interesting source and a good example of an artist being inspired by rather than copying someone else.

Below - two Uglow paintings.

To finish off the week, a chance encounter with Lisa Atkin, who manages the advertising and design company Baron & Baron, brought up this adorable picture of her brand new puppy, Max. I forgot to ask if the composition of this iPhone photo was also inspired by Uglow.