Apparently Not The Party of The Year

I was bicycling uptown yesterday past the Whitney and saw the now obligatory roped-off tented entrance that signifies PARTY! As my invitation must have been lost in the mail I didn't think too much about it. And then these party pictures popped up on the internet.

It turns out it was the Whitney Art Museum Gala (sponsored by Versace), but in spite of the good weather, doesn't it look like everyone wished they were at home watching Game 3 of the Yanks-Angels? While the pictures were uncredited on Fashionologie this is clearly not a photographer you want to invite to cover your next event.

So while I have never done a Hall of Shame, I think that photographically this deserves it.

One last piece of advice for next year, not only should the Whitney have someone standing by to say "Cheese!", a big plate of gooey Brie with salami and crackers might not be a bad idea for most of the guests!

Vindication

Read this..

Also this:

Statement from Srinandan R. Kasi, VP and General Counsel, The Associated Press

Striking at the heart of his fair use case against the AP, Shepard Fairey has now been forced to admit that he sued the AP under false pretenses by lying about which AP photograph he used to make the Hope and Progress posters. Mr. Fairey has also now admitted to the AP that he fabricated and attempted to destroy other evidence in an effort to bolster his fair use case and cover up his previous lies and omissions.

In his Feb. 9, 2009 complaint for a declaratory judgment against the AP, Fairey falsely claimed to have used an AP photograph of George Clooney sitting next to then-Sen. Barack Obama as the source of the artist’s Hope and Progress posters. However, as the AP correctly alleged in its March 11, 2009 response, Fairey had instead used a close-up photograph of Obama from the same press event, which is an exact match for Fairey's posters. In its response, the AP also correctly surmised that Fairey had attempted to hide the true identity of the source photo in order to help his case by arguing that he had to make more changes to the source photo than he actually did, i.e., that he at least had to crop it.

After filing the complaint, Fairey went on to make several public statements in which he insisted that the photo with George Clooney was the source image and that “The AP is showing the wrong photo.” It appears that these statements were also false, as were statements that Fairey made describing how he cropped Clooney out of the photo and made other changes to create the posters.

Fairey’s lies about which photo was the source image were discovered after the AP had spent months asking Fairey's counsel for documents regarding the creation of the posters, including copies of any source images that Fairey used. Fairey's counsel has now admitted that Fairey tried to destroy documents that would have revealed which image he actually used. Fairey's counsel has also admitted that he created fake documents as part of his effort to conceal which photo was the source image, including hard copy printouts of an altered version of the Clooney Photo and fake stencil patterns of the Hope and Progress posters. Most recently, on Oct. 15, Fairey’s counsel informed the AP that they intended to seek the Court’s permission to withdraw as counsel for Fairey and his related entities.

The AP intends to vigorously pursue its countersuit alleging that Fairey willfully infringed the AP's copyright in the close-up photo of then-Sen. Obama by using it without permission to create the Hope and Progress posters and related products, including T-shirts and sweatshirts that have led to substantial revenue. According to the AP's in-house counsel, Laura Malone, "Fairey has licensed AP photos in the past for similar uses and should have done so in this case. As a not-for-profit news organization, the AP depends on licensing revenue to stay in business." Proceeds received for past use of the photo will be contributed by the AP to The AP Emergency Relief Fund, which assists staffers and their families around the world who are victims of natural disasters and conflicts.

Brandi Carlile

I've been writing about Brandi Carlile for a while and now her third album, "Give Up the Ghost" has just been released. It's a relief when an album by a relatively new artist lives up to their early promise and "Give Up the Ghost" more than meets expectations.

As you can see from these two clips, Carlile is a mix of country and rock - heavier on the country part and with a terrific high register that radiates genuine feeling. There's a slicker promo for the album on YouTube than you can click to here to hear her talk about the album, but I prefer the authenticity of these live clips (of which there are hundreds on the web) because it seems like the preferred way you would want to see her and the band.

No fancy frills, dancers, or light shows at these concerts. This is music for the un-photoshopped!

Footloose

The big news in the world of street fashion photography is that Scott Schuman (The Sartorialist) left Style.com – who had an exclusive arrangement whereby they had first rights to show his pictures from the collections. Not letting the grass grow under their feet, Style.com promptly signed Tommy Tom (of the blog Jak & Jill), and so now we have the pleasure of seeing two completely different visions at work on the same ground. (Sart’s pictures now go straight to his own blog.)

Schuman – we know – is a classicist, an elegant August Sander of the street creating beautifully composed character studies. Tommy Ton is a cross between Lartigue and Martin Parr - capturing action, color, and detail. He has a thing for shoes which seems to veer somewhere between obsession and humor, but it takes a certain madcap genius to be so focused, not to mention an ability to crouch down at a woman's knees without being slapped.

My reaction on seeing most of his shoe pictures is “Ouch!”, but these pictures capture the difference between the world of fashion and the rest of the world better than anything. So if you’ll trust me that my own particular obsession is photography and not feet, here’s a selection of what promises to be a wonderfully idiosyncratic archive!

And a selection of some of Tommy Ton's other pictures:

From my iPhone - The High Line

Much praise has been heaped upon The Highline since it opened this past spring. For those who haven’t heard about it, the High Line is a 1.5 mile section of the former elevated freight railroad of the West Side Line, which runs along the lower west side of Manhattan. It had fallen into disrepair and was slated for demolition until an incredibly creative and determined group of conservationists came up with a plan to redesign and plant it as an aerial greenway. Running from the Meat Packing district to Chelsea, it has now taken on the relaxed and artsy characteristics of those neighborhoods and in the process become one of New York City’s newest tourist attractions.

It’s a well known phenomenon that you never get to see the things in your own city that tourists do, so after the umpteenth visitor to the gallery told me they had been to see The High Line, I finally just walked out of the gallery to make my first visit.

The charms of The High Line reveal themselves gradually. If you enter at its current northernmost entrance on 20th Street your first thought is “what’s the big deal?”. It’s just a planted stretch of old railway. But as you walk south, passing beautifully designed benches, a multitude of different plants, and a cross-section of lovers, loafers, tourists, and the just curious – you realize that as much as anything it’s an experience. I guess in its own way it’s a work of art combining nature, cityscapes, people watching, and the opportunity to take a break. There are ample places to lounge, smooch, nap, snack, or read, and more photo-ops than a night on the town with Lindsay Lohan.

Then as you continue southward you come face to face with the new Standard Hotel which strides the Highline like the Colossus of Rhodes. A couple of art installations later you reach the end at Gansevoort Street at which point you can descend or go back the way you came.

While it will surely be interesting at different times of the year, I imagine spring to fall is the best time to visit and so for those New Yorkers like me who just haven’t gotten around to a visit, I’d recommend you go on one of the remaining blue sky days promised in the next week. And if you really want to treat yourself to something new and good, add on a visit to the Standard Grill – New York’s latest hip restaurant, but one that lives up to the hype!

For Your Consideration ...

Two pictures from Ryan McGinley's show of new work made in caves showing at the Alison Jacques Gallery in London ....

"Treading On Kings" - Joel Sternfeld's 2002 book of portraits and quotes from protesters attending the 2001 G8 Summit in Genoa. It's looking more timely and necessary every day.

Tim Walker in Harper's Bazaar in collaboration with Tim Burton (naturally!).

Will be deeply missed. Paul Pincus's subjective/eclectic blog.

Not to be missed - Neil Leifer's new book on football - "Guts and Glory: The Golden Age of American Football 1958-1978".