Thursday, July 24, 2008

Embarrassment at the Met




It’s an embarrassment of riches for photography at The Metropolitan Museum right now - two amazing shows and a scattering of riches as you walk along the hallway of the Prints & Drawings galleries. (There’s always an interesting selection of works from the collection here – a visual diversion or appetizer for what’s to follow.)

First up you are met with a large close-up of Pierre-Louis Pierson’s peek-a-boo portrait of the Contessa Castiglione – the perfect precursor for the contemporary show to follow. Ovcr a period of six or so years in the late 1860s, Pierson and the Countess produced more than 700 images of her. In a shocking reversal of convention, however, it was the sitter who directed every aspect of the picture, from the angle of the shot to the lighting, using the photographer as just a tool in her obsessive pursuit of self-expression.

A few steps further takes you into the new Tisch gallery for contemporary photography and “Photography on Photography: Reflections on the Medium since 1960”. This exhibition – only the second to display the Met’s new-found interest in contemporary work – presents four decades of photography by artists who have turned the camera on the medium itself. Richard Prince, Sherrie Levine, and a
host of lesser known names make for a interesting meditation on appropriation, authorship, and conceptualism. The show’s signature image, made by British photographer Janice Guy in 1979 is a slick turn of the tables on the viewer’s preference for the nude female form.

Last but not least, stretching over half a dozen galleries, is “Framing a Century: Master Photographers, 1840 – 1940”. Aside from its clunky title, this exhibition tells the story of photography’s first 100 years through the work of 13 key photographers - Gustave Le Grey, Roger Fenton, Carleton Watkins, William Henry Fox Talbot, Julia Margaret Cameron, Nadar, Édouard Baldus, Charles Marville, Eugène Atget, Walker Evans, Man Ray, Henri Cartier-Bresson, and Brassaï.
It’s a little like showing off as you pass by one master print after another of some of photography’s most iconic images – but hey, it’s the Met!


Janice Guy. Untitled. 1979



Sherrie Levine. After Walker Evans, 1,2,4,&7. 1981



Richard Prince. Detail from "Untitled" (three women with their heads cast down). 1980



Lutz Bacher. Detail from "Jackie & Me". 1989



Nadar. Nadar with his wife, Ernestine, in a Balloon. c. 1865



Roger Fenton. Reclining Odalisque. 1858



Gustave Le Gray. Cavalry Maneuvers, Camp de Chailons, 1857



Carleton Watkins. Cape Horn near Celilo. 1867



Julia Margaret Cameron. Sappho. 1865



Edouard Baldus. Group at the Chateau de la Faloise. 1857



Walker Evans. Room at Louisiana Plantation House. 1935



Brassai. Introduction at Suzy's. 1932-33



P.S.
As I was walking away from the museum, there was an unusually talented caricaturist creating gentle watercolor likenesses. I didn’t
want to interrupt the work in progress but I did find out he’s only
there on Wednesdays, Saturdays, and Sundays.



Wednesday, July 23, 2008

Parallel U.


The new China Central Television headquarters building in Beijing. Yesterday's most e-mailed photograph on Yahoo.


Do we all live in different worlds? Has the internet created parallel or alternate universes where we sometimes but rarely intersect? I ask these questions because having never spent any time on Yahoo, I recently set it to be my home page and then went one step further to personalize it to be “My Yahoo”. (The same week .mac changed their name to .me. Is this the beginning of a new "Me Decade"?) Anyway, the reason I changed home pages was that I was particularly intrigued by what photographs the approximately 150 million unique monthly viewers were most taken by and how it differed from the kind of pictures those of us with a fine art predisposition are drawn to.

For those who follow the “Most Emailed Photos on Yahoo” section, it’s a wild and wacky world out there. Spectacle, novelty, freakishness, and animals rule. Subject trumps all. Artlessness is a virtue. I say this without snobbishness because as readers of this blog know, I’m fascinated by pictures that have a purely visceral impact without any connection to aesthetics. And if the “Most Emailed Photos on Yahoo” doesn’t get to you – how about ”The Daily Puppy” link, or ”OMG”?

I’m intrigued to know what readers of this blog set their home pages to and what kind of pictures they hope to see. Please comment. In the meantime, a selection of popular Yahoo pictures:


Kim Taylor of Stewartstown, PA, thought she had set the emergency brake, but her wayward red convertible nonetheless rolled downhill, crashed through a fence, and plunged into her neighbors' in-ground pool.


Toes are nibbled on by a type of carp called garra rufa, or doctor fish, during a fish pedicure treatment at Yvonne Hair and Nails salon in Alexandria, Va.


From "The Daily Puppy", Tek, the Australian Shepherd puppy, who was named after Jason Varitek, the captain of the Boston Red Sox.


From the "OMG" section of Yahoo - Diane Keaton.


Monday, July 21, 2008

The International Center of ....




It’s no longer a shock to open your e-mail and receive solicitations for different kinds of porn, but it’s somewhat surprising when the purveyor is that august New York institution – The International Center of Photography. Still all’s fair in love and photography and I imagine they’re having a rollicking good time on the corner of 43rd and 6th.

In all seriousness, ICP has one of the best photography bookstores in New York (the other being Dashwood Books) and offer both a great selection and guilt-free browsing – a nice combination. And if you feel like it, you can also take in three interesting shows there right now -Heavy Light:
Recent Photography and Video from Japan; Arbus/
Avedon/ Model:
 Selections from the Bank of America LaSalle Collection
; and Bill Wood’s Business (Diane Keaton’s latest archive discovery). I particularly recommend Heavy Light.

But back to the bookstore and their e-mail offering, in addition to selections from British collector/dealer Danny Moynihan’s private collection of pornographic photographs, if you're looking for more porn there's a rare limited edition set of playing cards featuring images from Daido Moriyama's "Kagero & Colors".

If you’re looking for more respectable fare, there’s a brand new monograph on Hannah Starkey (one of England’s most interesting photographers but rarely seen Stateside); a republished version of Peter Beard’s seminal "End of the Game" designed by Ruth Ansel; and a new monograph by the Dutch stylist/photographer Erwin Olaf. Enough to make venturing into midtown where the temperature is well into the high 90s as we speak worthwhile.









Friday, July 18, 2008

Weekend Video - Viva Las Vegas




At a charity auction a couple of weekends ago I bid for and won three nights in Las Vegas. So to inspire my wife I thought what could be better than finding some songs from Elvis’s “Viva Las Vegas”! Needless to say there were plenty on YouTube and iTunes and I was particularly struck by the energy and brightness of the film, not to mention a title track that has been recorded by everyone from Bruce Springsteen to ZZ Top.

Released in 1964, “Viva Las Vegas” was Elvis's 17th of 31 movies he made in 11 years (for an average of three a year)! “Viva Las Vegas” is generally considered to mark the end of the better films (by Elvis standards) and the beginning of an overall decline in quality. Nevertheless, “Viva Las Vegas” has a lot going for it. The director, George Sidney, was a man with serious musical credentials (“Anchors Aweigh”, “Annie Get Your Gun”, “Show Boat”, “Kiss Me Kate”, “Pal Joey” and “Bye Bye Birdie”) who knew how to shoot wide screen color and stage a dance number.

“Viva Las Vegas” makes ample use of real Vegas locations at a time when The Strip was only about a mile long with headliners playing in low-lying hotels in a fairly unphotogenic part of the city. But above all, “Viva Las Vegas” has a stunning Ann-Margret who steals the show. Colonel Parker (Elvis’s manager) was particularly concerned with this, and from then on Elvis movies had no competing female leads. The movie has the usual early 60s political incorrectness with Elvis walking a fine line between girl-chasing and stalking, but as a cheerful period piece, and not discounting Elvis's enduring appeal, it’s a hoot.





Below: Elvis' friend, George Klein, discusses the making of the film.


Thursday, July 17, 2008

Dark




I know what I’m looking forward to! And I’m not usually a fan of summer action movies, but the recent Batman films directed by Christopher Nolan are done with such care, skill, and creativity that they truly are works not just of commerce but of art. The cinematography in particular is just gorgeous – every frame darkly
and richly lit, the color balanced beautifully for the dark palette the filmmakers are working in. Just watch the trailer.

I’ve also particularly enjoyed the design and roll-out of the posters – a brilliant blend of photography, illustration, photoshop, and graphic design.

There’s a rumor on the web that this could be the first film to gross $200 million on its opening weekend. Let’s see if all this care, commitment, and chutzpah pays off!















Wednesday, July 16, 2008

La Vie En Tulip




As I mention frequently, I am always interested in when vernacular or press photographs transcend the everyday to have some greater visceral impact. Sometimes it’s the subject, more often it’s the composition, and sometimes as in these photographs it’s a combination of both. And originality is always key. These three images, via London’s Daily Mail and AP, but uncredited, are pictures of the northern Netherlands in the middle of the tulip season. (Planted in the fall, the bulbs bloom in the spring, after which the land is cultivated for a rather more mundane crop of vegetables.)

A Google image search of “tulip fields” will yield plenty of mediocre pictures of this scene, but these, to me, have a conciseness and a lack of sentimentality which make them memorable.





Tuesday, July 15, 2008

My Life as a Model


From GQ. Courtesy: The Sartorialist.


Earlier this year, when my friend Scott Schuman a.k.a. The Sartorialist was looking for bike riders for his GQ page he asked if he could include me. I’m realistic enough to know that being a male model is not high on my list of career opportunities and to no great surprise I ended up being the smallest of all the pictures used, but my son’s classmates were impressed and there was certainly no downside to my brief moment of fame.

Shortly afterwards, I got a call from a friend in the casting business asking if I would model (perhaps “strike an awkward pose” would be a better description) for Apple, who were doing a shoot at their 14th Street store, and this time it was a paying gig. So off I went to the Apple Store, where it became clear I was to play the role of the grey-haired small business owner as opposed to the dashing blogger/cyclist. The other “models” were younger out of work actors whose ability to appear natural in their roles was far greater than mine. However, the photographer Roy Zipstein, was a total pro, and with only the latest state-of the-art Canon digital camera, his pictures looked like they had been produced by a full size production and lighting crew.

I had forgotten all about this until I got an e-mail this morning from the shoot co-ordinator to tell me we were now live on the web! True to my prior model status, you have to scroll way down to see me, but there I am - a polo-shirted businessman hoping to use Apple’s Commercial Credit Program so that financing a Mac will be as easy as using one. I hope you are feeling the emotion behind the role!


Courtesy: Roy Zipstein


Monday, July 14, 2008

8.8.08


Paramilitary policemen in the anti-terror drill display "To Welcome Olympic Games,To Ensure the Security" at Datianwan Stadium.


Early last month, China launched a week-long series of anti- terrorist drills called "Great Wall 5", in preparation for the upcoming 2008 Olympic Games. It's clearly not a situation anyone can take lightly.

These uncredited pictures from China Photos via Getty Images are just a teaser for what is sure to be a deluge of amazing sports photographs when The Games start on 8.8.08. Finding the images that transcend the average is something I always look forward to, but I thought these were a good start.

Firemen cutting barriers.


Policewomen.


The mighty Segway squadron!


To date, however, the story for me (and I think just about everybody) has to be Dara Torres, preparing to compete in her fifth Olympics as well as just breaking her own record at age 41.

Robert Maxwell, who I think is a vastly under-recognized photographer, took this powerful portrait for the New York Times Magazine showing what 0% body fat mixed 100% iron determination looks like.



Friday, July 11, 2008

Weekend Video - Tex Avery




For a change of pace, one of the most visually inventive cartoons from one of the great masters of animation, Tex Avery. The Shooting of Dan McGoo, made in 1945, is a loose remake of an Elmer Fudd short, Dangerous Dan McFoo that Avery produced at Warner Brothers, but is tighter, funnier, and loaded with sight gags and puns. It's both a pastiche of the Westerns of the period, and a continuous stream of thought taking you seamlessly from one surreal scenario to another.

We’re so firmly planted in the digital world, that without putting down the inventiveness of today's computer animation, it is now so prevalent I had simply forgotten how rich the old hand-drawn style could be.

Wednesday, July 9, 2008

Stephen Gill




I first saw Stephen Gill’s work at this year’s New York Photo Festival where a group of his black and white still lifes of folded toilet paper made an amusing point in the Kathy Ryan curated show, “Chisel”. But
it was a glimpse of three pictures from his “Russian Women Smokers” series on the blog I Heart Photographs that really caught my attention.

While he is not essentially a still life photographer, these pictures, simple studio shots of discarded lipstick-stained cigarette butts, are at once a reference to the famous Irving Penn photographs and a brilliant series in their own right – elegant, narrative, and redolent of another world and era. While they may not have been possible without the precedent of Penn’s insight, I like Gill’s pictures better.

A visit to Gill’s website shows a fertile mind and active lens, presenting 25 different (or related series) - from a group of prints buried in the earth (to see the effects of decomposition) to several series taken in Hackney, an area of London now undergoing Beijing-like redevelopment in anticipation of the 2012 Summer Olympics.

I particularly like the series “Hackney Flower Portraits” – pictures of people wearing different floral motifs. All these pictures were taken with a camera Gill bought for a dollar at the Hackney market!