The International Center of ....

It’s no longer a shock to open your e-mail and receive solicitations for different kinds of porn, but it’s somewhat surprising when the purveyor is that august New York institution – The International Center of Photography. Still all’s fair in love and photography and I imagine they’re having a rollicking good time on the corner of 43rd and 6th.

In all seriousness, ICP has one of the best photography bookstores in New York (the other being Dashwood Books) and offer both a great selection and guilt-free browsing – a nice combination. And if you feel like it, you can also take in three interesting shows there right now -Heavy Light:
Recent Photography and Video from Japan; Arbus/
Avedon/ Model:
 Selections from the Bank of America LaSalle Collection; and Bill Wood’s Business (Diane Keaton’s latest archive discovery). I particularly recommend Heavy Light.

But back to the bookstore and their e-mail offering, in addition to selections from British collector/dealer Danny Moynihan’s private collection of pornographic photographs, if you're looking for more porn there's a rare limited edition set of playing cards featuring images from Daido Moriyama's "Kagero & Colors".

If you’re looking for more respectable fare, there’s a brand new monograph on Hannah Starkey (one of England’s most interesting photographers but rarely seen Stateside); a republished version of Peter Beard’s seminal "End of the Game" designed by Ruth Ansel; and a new monograph by the Dutch stylist/photographer Erwin Olaf. Enough to make venturing into midtown where the temperature is well into the high 90s as we speak worthwhile.

Weekend Video - Viva Las Vegas

At a charity auction a couple of weekends ago I bid for and won three nights in Las Vegas. So to inspire my wife I thought what could be better than finding some songs from Elvis’s “Viva Las Vegas”! Needless to say there were plenty on YouTube and iTunes and I was particularly struck by the energy and brightness of the film, not to mention a title track that has been recorded by everyone from Bruce Springsteen to ZZ Top.

Released in 1964, “Viva Las Vegas” was Elvis's 17th of 31 movies he made in 11 years (for an average of three a year)! “Viva Las Vegas” is generally considered to mark the end of the better films (by Elvis standards) and the beginning of an overall decline in quality. Nevertheless, “Viva Las Vegas” has a lot going for it. The director, George Sidney, was a man with serious musical credentials (“Anchors Aweigh”, “Annie Get Your Gun”, “Show Boat”, “Kiss Me Kate”, “Pal Joey” and “Bye Bye Birdie”) who knew how to shoot wide screen color and stage a dance number.

“Viva Las Vegas” makes ample use of real Vegas locations at a time when The Strip was only about a mile long with headliners playing in low-lying hotels in a fairly unphotogenic part of the city. But above all, “Viva Las Vegas” has a stunning Ann-Margret who steals the show. Colonel Parker (Elvis’s manager) was particularly concerned with this, and from then on Elvis movies had no competing female leads. The movie has the usual early 60s political incorrectness with Elvis walking a fine line between girl-chasing and stalking, but as a cheerful period piece, and not discounting Elvis's enduring appeal, it’s a hoot.

Below: Elvis' friend, George Klein, discusses the making of the film.

Dark

I know what I’m looking forward to! And I’m not usually a fan of summer action movies, but the recent Batman films directed by Christopher Nolan are done with such care, skill, and creativity that they truly are works not just of commerce but of art. The cinematography in particular is just gorgeous – every frame darkly
and richly lit, the color balanced beautifully for the dark palette the filmmakers are working in. Just watch the trailer.

I’ve also particularly enjoyed the design and roll-out of the posters – a brilliant blend of photography, illustration, photoshop, and graphic design.

There’s a rumor on the web that this could be the first film to gross $200 million on its opening weekend. Let’s see if all this care, commitment, and chutzpah pays off!

La Vie En Tulip

As I mention frequently, I am always interested in when vernacular or press photographs transcend the everyday to have some greater visceral impact. Sometimes it’s the subject, more often it’s the composition, and sometimes as in these photographs it’s a combination of both. And originality is always key. These three images, via London’s Daily Mail and AP, but uncredited, are pictures of the northern Netherlands in the middle of the tulip season. (Planted in the fall, the bulbs bloom in the spring, after which the land is cultivated for a rather more mundane crop of vegetables.)

A Google image search of “tulip fields” will yield plenty of mediocre pictures of this scene, but these, to me, have a conciseness and a lack of sentimentality which make them memorable.

My Life as a Model

From GQ. Courtesy: The Sartorialist.

Earlier this year, when my friend Scott Schuman a.k.a. The Sartorialist was looking for bike riders for his GQ page he asked if he could include me. I’m realistic enough to know that being a male model is not high on my list of career opportunities and to no great surprise I ended up being the smallest of all the pictures used, but my son’s classmates were impressed and there was certainly no downside to my brief moment of fame.

Shortly afterwards, I got a call from a friend in the casting business asking if I would model (perhaps “strike an awkward pose” would be a better description) for Apple, who were doing a shoot at their 14th Street store, and this time it was a paying gig. So off I went to the Apple Store, where it became clear I was to play the role of the grey-haired small business owner as opposed to the dashing blogger/cyclist. The other “models” were younger out of work actors whose ability to appear natural in their roles was far greater than mine. However, the photographer Roy Zipstein, was a total pro, and with only the latest state-of the-art Canon digital camera, his pictures looked like they had been produced by a full size production and lighting crew.

I had forgotten all about this until I got an e-mail this morning from the shoot co-ordinator to tell me we were now live on the web! True to my prior model status, you have to scroll way down to see me, but there I am - a polo-shirted businessman hoping to use Apple’s Commercial Credit Program so that financing a Mac will be as easy as using one. I hope you are feeling the emotion behind the role!

Courtesy: Roy Zipstein

8.8.08

Paramilitary policemen in the anti-terror drill display "To Welcome Olympic Games,To Ensure the Security" at Datianwan Stadium.

Early last month, China launched a week-long series of anti- terrorist drills called "Great Wall 5", in preparation for the upcoming 2008 Olympic Games. It's clearly not a situation anyone can take lightly.

These uncredited pictures from China Photos via Getty Images are just a teaser for what is sure to be a deluge of amazing sports photographs when The Games start on 8.8.08. Finding the images that transcend the average is something I always look forward to, but I thought these were a good start.

Firemen cutting barriers.

Policewomen.

The mighty Segway squadron!

To date, however, the story for me (and I think just about everybody) has to be Dara Torres, preparing to compete in her fifth Olympics as well as just breaking her own record at age 41.

Robert Maxwell, who I think is a vastly under-recognized photographer, took this powerful portrait for the New York Times Magazine showing what 0% body fat mixed 100% iron determination looks like.

Weekend Video - Tex Avery

For a change of pace, one of the most visually inventive cartoons from one of the great masters of animation, Tex Avery. The Shooting of Dan McGoo, made in 1945, is a loose remake of an Elmer Fudd short, Dangerous Dan McFoo that Avery produced at Warner Brothers, but is tighter, funnier, and loaded with sight gags and puns. It's both a pastiche of the Westerns of the period, and a continuous stream of thought taking you seamlessly from one surreal scenario to another.

We’re so firmly planted in the digital world, that without putting down the inventiveness of today's computer animation, it is now so prevalent I had simply forgotten how rich the old hand-drawn style could be.

Stephen Gill

I first saw Stephen Gill’s work at this year’s New York Photo Festival where a group of his black and white still lifes of folded toilet paper made an amusing point in the Kathy Ryan curated show, “Chisel”. But
it was a glimpse of three pictures from his “Russian Women Smokers” series on the blog I Heart Photographs that really caught my attention.

While he is not essentially a still life photographer, these pictures, simple studio shots of discarded lipstick-stained cigarette butts, are at once a reference to the famous Irving Penn photographs and a brilliant series in their own right – elegant, narrative, and redolent of another world and era. While they may not have been possible without the precedent of Penn’s insight, I like Gill’s pictures better.

A visit to Gill’s website shows a fertile mind and active lens, presenting 25 different (or related series) - from a group of prints buried in the earth (to see the effects of decomposition) to several series taken in Hackney, an area of London now undergoing Beijing-like redevelopment in anticipation of the 2012 Summer Olympics.

I particularly like the series “Hackney Flower Portraits” – pictures of people wearing different floral motifs. All these pictures were taken with a camera Gill bought for a dollar at the Hackney market!

Arles

Royal horse guard, England, 2004. Charles Fréger

A sneak preview of images from the Rencontres d'Arles - the annual photo festival which takes place each summer in the south of France when the town becomes host to dozens of photography exhibitions, workshops, seminars, and film screenings.

Every other year a guest curator takes over several of the festival's
major exhibition spaces, and this year's curator is fashion designer Christian Lacroix. It's the first time that the guest curator has not been a photographer, but Lacroix is known to have a deep interest and commitment to photography, a fact I can attest to having met the designer a year ago at France's other photo festival - Hyeres.

While photographers chosen for the festival include some of the big names in fashion photography - Richard Avedon, Peter Lindbergh,
and The Sartorialist -Lacroix has also selected new photographers whose work deals with social, political, and conceptual ideas, as well as vernacular photography and archival photographs relating to the town's history. Some examples above and below.

For those eager to jump on a plane, the festival runs from July 8 to September 14, but the real action starts tonight.

Karen Elson, "English Sunbathing" Northumberland, England, 2001. Tim Walker

Vanités - Allégorie de la caducité, 2007. Guido Mocafico

The most beautiful day of my life. Jean Christian Bourcart

Emma Cruch, known as Cora Pearl. A.A.E. Disdéri, c. 1860

Observations

No. I'm afraid this blog has not landed a six-figure advertising contract with Estee Lauder. Just some observations on their new campaign for Sensuous, shot by Craig McDean (who I'm a big fan of). According to Aerin Lauder, “Each model represents a different side of sensuality. Hilary (Rhoda) conveys youth, while Carolyn (Murphy)'s classic look communicates elegance. As an actress, Gwyneth (Paltrow) brings an emotional range to sensuality and Elizabeth (Hurley) portrays confidence and wisdom." Clearly ethnic diversity was not high on the sensuous value scale. The message I got was the younger you are, the more you can reveal under your classic white shirt!

Meanwhile “New York City Waterfalls,” Olafur Eliasson’s $15.5 million quartet of man-made waterfalls along New York's East River, says to me that not all public art projects work, and what we have here is a strong case of the Emperor's New Clothes. My favorite quote was from the young viewer who said it looked like the Brooklyn Bridge was leaking. Out of the mouths of babes!

Lastly, to finish off our Wimbledon coverage, a final that was played with such commitment, courage, and sportsmanship, it brought a lump to my throat.

P.S.
I forgot to mention that the recent Milan men's fashion shows took up the P.J.s as day-wear in a BIG way. This look, clearly inspired by the postings on The Year in Pictures, from Bottega Veneta.

Weekend Video - Cactus Cuties

I've been waiting for this weekend to share my appreciation of the Cactus Cuties, a Texas based vocal group ranging in age from 8 to 13.
A quintet when this video was made (featuring Andi Kitten - 11; Baylee Barrett - 13; Madeline Powell - 8; Tatum Lowe - 11; Blaire Elbert - 10) they're now down to a quartet. But I won't conjecture why Tatum Lowe is no longer with the group. Of course you worry about the wisdom of having children perform and be commodified this young - but hey, it's
a free country and they sure can harmonize!

A Summer Album

As we head into the 4th of July weekend, a summer album of photographs that are either cool or cooling or hopefully both!

Above one of my favorite anonymous pictures - a summer picnic in which the photographer has resourcefully included herself.

Below - taken at the Central Park Zoo by Magnum photographer, Thomas Hoepker.

Irving Penn's "Frozen Food".

Edward Weston's refreshing photograph of his wife, Charis.

Ryan McGinley's "Dakota".

A rare Giacomelli of the "pretini" (student priests) taken in the summer of 1968.

Arthur Elgort's "5th Avenue".

Elizabeth Taylor by Roddy McDowell.

Steve and Neile McQueen by John Dominis.

A great tennis shot from the current Wimbledon. Unfortunately I
did not note the player or photographer when I grabbed the j-peg. Apologies to both.